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The term comes from the Greek letter rho, denoting "r"a large mbira, in Puerto Rico and Cuba known as a marimbula, that is box-shaped and can be sat on while being played.The 'rhumba box' carries the bass part of some form of Caribbean music, particularly mento(from Old French, rime, 'series', in turn adopted from Latin rithmus and Greek rhythmos) the similarity of sound between two words.Whereas dialectic seeks to demonstrate a truth about the essence of a subject or thing, rhetoric seeks to provoke a definite subjective reaction in its audience.In the Medieval and Renaissance eras, many writers tried to draw parallels between the orator (and oration) and the musician (and music) and it was this old idea, which originated in classical times, that would later lead to the Baroque idea of the 'Doctrine of the Affections'Around 1680, the rhetorician and theologian François Fénelon wrote of Greek and Latin rhetoric, "it is true that, when one has undergone thorough study, one can derive great benefits from it...When the sounds of their accented syllables and all succeeding sounds are identical, words rhymealso slant rhyme, inexact rhyme, imperfect rhyme, pararhyme, near rhyme, half rhyme, off rhyme, analyzed rhyme, or suspended rhyme, occurs when the correspondence between the two words or syllables is only approximate and not exact.a special type of alliteration in which the repeated pattern of consonants is marked by changes in the intervening vowels - i.e., the final consonants of the stressed syllables match each other but the vowels differ.(linger/longer/languor, rider/reader/ruder, rabies/robbers)a rhyme that involves two syllables rather than one.Peter's Cathedral in Erie, Pennsylvania, can be discounted as the chimes were not installed at St.Peter's until four years after the work's publication(German) a dance derived from the early 19th-century dance 'Scottish', schottische (German) or Ecossaise (French), which was itself derived from the far older German folk dance, the Hopser.

Its principles are derived from both the 'celesta' and the 'electric guitar'.If you would like to support our work writing and maintaining the teaching resources on this site please click on the donate button and follow the online instructions - thank you for your classical Greece, in the fifth and fourth centuries BC and perhaps earlier, a rhapsode was a professional performer of poetry, especially of epic poetry (notably the epics attributed to Homer) but also the wisdom and catalogue poetry of Hesiod and the satires of Archilochus and others.Plato's dialogue Ion, in which Socrates confronts a star rhapsode, remains our richest source of information on these artists.For instance, rhyming lend/send is a single rhyme, in which each word consists of a single syllable.However, the words lending/sending constitute a double rhyme because two rhyming syllables are used.The action is similar to that of a conventional piano, but whereas in a conventional piano each key causes felt-covered hammers to strike sets of strings, in a Rhodes piano rubber-tipped hammers strike tuning fork-like constructions to sound the note.rhotacism refers to several phenomena related to the usage of the consonant r (whether as an alveolar tap, alveolar trill, or the rarer uvular trill): namely, the excessive or idiosyncratic use of the r; conversely, the inability or difficulty in pronouncing r; and the conversion of another consonant, e.g., s, into r.In English, most double rhymes create a feminine endingtrue rhyme or perfect rhyme, rhyming two words in which both the consonant sounds and vowel sounds match to create a rhyme.The term 'exact' is sometimes used more specifically to refer to two homophones that are spelled dissimilarly but pronounced identically at the end of lines.This shift helps to explain why the notion that music "imitated" the structures and conventions of rhetoric, while popular in other regions, is to be found in no French source after c.1640[quoted from Une espèce d'éloquence dans la musique : Embracing a Dis-Figured Rhetoric in France by Jonathan Gibson](French) in the 14th century, Guillaume de Machaut (c.1300-1377), popularized the new lyric genres such as the rondeau, ballade, lai, and virelai and is considered to have been the leader of the new rhétorique, or poetic art.This tradition was continued by Eustache Deschamps (1346-1406), Christine de Pizan (1363-c.1434), Charles d'Orléans (1394-1464/5), and François Villon (1431-after 1463), as well as by Jean Froissart (c.1337-c.1405), the great chronicler(English, Rhodes-Piano (German n.)) a musical keyboard instrument, a brand of electric piano.


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